
AVENUE Q
Choreography by Nathan Wright, is polished to the point of sparkling.
By Alex Lalak The Daily telegraph Sydney
Choreography by Nathan M. Wright was minimal, but used effectively. The staging allowed for the performers and puppets to move easily and had all the cute bopping and bouncing you’d expect from a children’s programme – this contrasted hilariously with the content, especially in Everyone’s a Little Bit Racist.
By Angie Bedford Web Wombat
A special feature of the musical is that the puppeteers are an integral part of the performance, singing, dancing and acting along with the puppets in full view of the audience.
MUSICAL: AVENUE Q
REVIEWED BY DANNY GOCS The Austrlian Jewish News
Performing confidently Nathan Wright’s economical and effective choreography.
Written by Caroline Wilson Australian Stage
Nathan M Wright has fun with the choreography, which is sharp and adds to the humour.
Adelaide Review: Stephanie Johnson
Nathan M. Wright choreographed the show – which I must say was seamless
By Marika Bryant ArtsHub

GUTENBERG - THE MUSICAL
Choreography (Nathan M. Wright) so well realised that it’s easy to forget there are only two
people on stage.
By Sandra Bowden, Baby Boomers Theatre.
Nathan M. Wright’s choreography cleverly plays off the fact that the authors aren’t particularly strong dancers so they perform clichéd steps and sometimes have to count their timing out loud.
Reviewer: Simon Parris Theatre People Online
Nathan M Wright (choreographer), completes a creative team that has produced - in a shockingly short space of time - one of the most polished, convinced and convincing comedy-musical spectaculars ever in the history of the entire universe including the first production in 1455.
By Diana Simmonds, Stage Noise

BREAST WISHES
Nathan M W
right has effected some impressive choreography indeed.
By Lloyd bradford (brad) syke, Australian Stage

CLIMB THE SMALLEST MOUNTAIN
Nathan M. Wright, Choreomeister, complemented the comedic impetus with an animated character reminiscent of say, Grease.
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