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Avenue Q: Choreography by Nathan M. Wright was minimal, but used effectively.
The staging allowed for the performers and puppets to move easily
and had all the cute bopping and bouncing you’d expect from
a children’s programme – this contrasted hilariously
with the content, especially in Everyone’s a Little Bit Racist. A special feature
of the musical is that the puppeteers are an integral part of the
performance, singing, dancing and acting along with the puppets
in full view of the audience. Performing confidently Nathan Wright’s economical and effective
choreography. Nathan M Wright has fun with the choreography, which is sharp and adds to the humour. Nathan M. Wright choreographed the show – which I must say was
seamless
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Gutenberg
– The Musical: Nathan M. Wright’s choreography cleverly plays off the fact
that the authors aren’t particularly strong dancers so they
perform clichéd steps and sometimes have to count their timing
out loud. Nathan M Wright (choreographer), completes a creative team that
has produced - in a shockingly short space of time - one of the
most polished, convinced and convincing comedy-musical spectaculars
ever in the history of the entire universe including the first production
in 1455.
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| Breast Wishes:
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| Climb
The Smallest Mountain:
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